Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Piazza San Marco,Looking Eastwards | The Arsenal: the Water Entrance g | The Molo and the Riva degli Schiavoni from the Bacino di San Marco | San Giacomo di Rialto (detail) kkj | The Grand Canal from Campo S. Vio towards the Bacino fdg |
Related Artists:
Lentulov, Aristarkh
Russian Painter, 1882-1943 Russian painter. He studied art in Penza (1897-1903), Kiev (1903-5), and in St Petersburg (1906) under Dmitry Kardovsky. He participated in major exhibitions, including The Wreath (1907-8), The Link (1908) and Union of Russian Artists (1910). He was a founder-member in 1910 of the avant-garde exhibiting society the JACK OF DIAMONDS
Jules Emile Saintin
France 1829-1894
Theo Van Rysselberghe
Belgian Pointillist Painter, 1862-1926 was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Academy of Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Theo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there a total of one year and half. Barely 18 years old, he already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his Self-portrait with pipe (1880), painted in somber colours in the Belgian realistic tradition of that time. His Child in an open spot of the forest (1880) already departs from this style and he sets his first steps towards impressionism.